Indigenous “Authenticity” in Thomas King’s Truth and Bright Water

When Monroe Swimmer returns to the reservation in Thomas King’s 1999 novel Truth and Bright Water, he ironically insists that his reputation as an indigenous creative is recognised. Upon meeting the text’s protagonist, Tecumseh, he stresses that “You’re supposed to say ‘famous Indian artist’ after you say ‘Monroe Swimmer’” (King 45). The anecdotes that detail Monroe’s early artistic endeavours are …